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THE THIRD STORY podcast features long-form interviews with creative people of all types, hosted by Brooklyn-based musician, Leo Sidran. 

Aug 11, 2020

Eric Krasno is in a lot more places than one might realize. Known for his work with the bands Soulive and Lettuce, he also works with all kinds of groups as a player - including the Tedeschi Trucks Band, Phil Lesh and Friends, Oteil Burbridge and Friends...it’s a lot of friends. Maybe that’s because he has one foot in the jam band world: the universe of extended grooves, risky riffing and close contact with a community of fans. 

What surprised me about Eric is how much stuff he actually does - he’s part frontman, limelight guy, and part behind the scenes guy. For example, he also has another foot in the world of songwriting and production, and particularly in that space where soul and hip hop meet. He has produced and written songs for Susan Tedeschi and Derek Trucks, Talib Kweli, Nigel Hall, The London Souls, Marcus King, 50 Cent, and Lawrence. 

He also makes records as a solo artist. His most recent release Telescope came out last year, accompanied by a series of animated videos that hold together as a global narrative about the lives of a group of people who live in the same building in New York. 

Telescope would also turn out to be a kind of farewell love letter to New York, where Krasno was based and where he made so much of his statement for over 20 years. In late 2019 he moved to LA, settled down, and started his next act. Although he planned to focus on production, he still had over 100 gigs scheduled this year. Then the hammer of history fell, and he found himself locked down in LA. 

In Covidtimes, he’s been doing his own podcast called Eric Krasno Plus One

We zoomed in recently to talk about what he’s doing during these strange and trying times, his experience as a podcaster, producer, and provider of deep and soulful grooves. Along the way we talked about the development of Soulive, Lettuce, Velour Recordings, the values and expectations of jam and jam band audiences, “the boom bap with interesting chord changes”, learning how to do less and better, and how many times one man can say the word “nugget” in an hourlong interview.